Greta Magnusson Grossman was among the few female designers to be celebrated in the architectural scene during the mid-twentieth century. Her work was looked at as a mixture of both European thoughts as well as the culture and way of life in Southern California. The European influence on her work was due to her early exposure to the European Modernism. Greta acknowledged the shortcomings of being a feminine artist and affirmed that she must succeed by making history on the field. Her furniture was distinguished by its matchless mixture of materials and willowy magnitude. As far as the experimental architecture world is concerned, this woman was a prominent figure all through the 1960s.

Minnie Pwerle was an Aboriginal artist who started painting when she was about the age of 80. Whenever anybody asked her why she had not started work earlier, “no one had asked her” was always her response. Her style of painting was impulsive and characterised by intrepid and lively colour carried out with great autonomy. Her pictures quickly became popular and adored works of modern Indigenous Australian art. However, there was pressure from those who are eager to get her work. Spry and sociable, she could exceed younger women, even in her eighties, and she kept making artworks until two days before she died.