Brought into the Epping saleroom of the Bonington auction house with a collection of Moorcroft, this Florentine Mannerist […]
Author: Learn Antiques Team
An exceptional 11-lot group of the works of James Sowerby featured in a Swedish summer sale. Extracted from […]
Compiled for official British War Office use on the eve of the American War of Independence, this quarto […]
Lots offered towards the start of sales at the same auction house prove successful. Extracted from Antiques Trade […]
A painting of the early Christian martyr St Agatha by Italian artist Carlo Dolci (1616-87) will return to […]
‘Versuche über Pflanzen Hybriden’ by Gregor Mendel is a paper that marked the foundation of the science of […]
The reason that an otherwise unexceptional 1737 English language edition of Horace’s ‘Odes, Satyrs and Epistles’ – lacking […]
Frederick Williams was noteworthy for not only being a prolific painter but is also celebrated for his etchings. He learned to draw in the traditional manner, copying from plaster casts. Fred became interested in etching from studying prints of Rembrandt and Goya at the British Museum and spent many hours making them. But when Fred returned home, he started to move away from his mainly figure-based work to painting landscapes. One painting sold for, what was at the time, the second-highest recorded price for any work sold at an Australian auction. Fred held more than 70 solo exhibitions both in Australia and abroad. His works can now be found in numerous galleries in Australia.
One of the highest prices for Albert Chevallier Tayler (1862-1925) at a UK auction in the last 10 […]
Heinz is celebrating 150 years of the brand with a series of events including a charity auction with […]
Two rare pre-war Dinky trade boxes which had been in loft storage for two generations appeared for sale […]
Not always predicted but overwhelming when it comes, big-money Russian interest sent a bronze equine group soaring at […]
Edward J. Wormley is best known for his custom and limited-edition furniture designs for the Dunbar Furniture Corporation. He is honoured as one of the 20th century’s major designers of American modernist furniture. Ironically, Wormley married modern sensibilities to traditional designs that gave his modernist designs a distinctively muted warmth and a quality that defies time, making them stand out from among their contemporaries. He proved that one need not choose the new over the old and that new things can be made out of the old. A large number of Wormley’s popular pieces from the 1930s and 1940s were selling well even into the 1960s, and even command very high prices at auctions today.
Among the pictures from a notable Australian art collection that have emerged at Melbourne saleroom Leonard Joel is […]
In this group of predominantly Victorian ceramics beloware two 18th century pieces: a typical polychrome delft plate of […]
Two French scenes by much-travelled husband-and-wife artists Ethel Carrick (1872-1952) and Emanuel Phillips Fox (1865-1915) are highlights of […]
Although catalogued as ‘Continental’, this mid-19th century porcelain figure of a seated semi-nude ballet dancer below carries impressed […]
From the height of almost impractical luxury to a simple piece of homespun craftsmanship, the full creative range […]