Pietro Perugino was born Pietro di Cristoforo Vannucci. He came to be known as Il Perugino, the man from Perugia. In 1500, he was known as ‘the best master in Italy’. He was one of the first Italian artists to make use of oils, used in frescoes he created for the convent of the Ingessati. Perugino was also noteworthy for his portraits. His star pupil was Raphael. Their work was very similar, but the student eventually outshone the master. Later in life, Perugino had been laughed out of Florence as his style had become stale and repetitive. He returned to Perugia, where he continued to work. Despite a lifetime of painting religious images, he was a non-believer.

Hester Bateman happened to be the most famous English female silversmith of the 18th century. However, she had no education, which explains her ‘X’ signature and why many of Bateman pieces had been outsourced elsewhere from talented craftsmen. There is no single known Hester workpiece after 1760. Most of Hester’s pieces are over-stamped with their marks, meaning they were from other artists. Despite this, Hester was an adept businesswoman who learnt the smithing trade from her husband. The Bateman family had a catalogue of various silverwares that included flatware, serving dishes, inkwells and horse-racing trophies. Due to their quality, any antique silver made by Hester Bateman and her family is still very collectable today.